Synechdoche, New York - 2008

Director: Charlie Kaufman

Writer: Charlie Kaufman

Starring: Philip Seymour Hoffman, Catherine Keener, Emily Browning

"I will be dying and so will you, and so will everyone here. That's what I want to explore. We're all hurtling towards death, yet here we are for the moment, alive. Each of us knowing we're going to die, each of us secretly believing we won't." The directorial debut of Charlie Kaufman (writer of Being John Malkovich and Eternal Sunshine of a Spotless Mind), Synecdoche tells the story of Caden Cotard (Hoffman), a struggling playwright who, after being left by his wife (Keener) and convinced of his impending death by one condition mounting upon another, embarks on the great task of any artist's life: to create something that will outlast him and be remembered throughout the ages. His grand idea involves reproducing a section of the city inside a massive warehouse, and having the actors portray himself and the people in his life. Within the city in the warehouse is a smaller warehouse containing a smaller city, and a third warehouse inside that (hence the film's title, not just a play on the town of Schenectady, but the term where a part of something is used to describe the whole).

I'll be the first to admit that this film went slightly over my head, but that's the only thing that would stop me from recommending it outright. Hoffman is an incredible actor in everything I've seen him in, and his Charles Foster Kane-eque portrayal of Cotard (the film takes place over a few decades of his life), aided by the stellar makeup effects, is no exception; his performance leads everyone else's the way a director should lead his cast. Synecdoche ended up on several critics' top 10 lists for the first decade of the new millennium, but I can't hold it in such high regard. It's a tad too cerebral (but without being pretentious) for most to enjoy, which is a dealbreaker for me.

Awakenings - 1990

Director: Penny Marshall

Writer: Steve Zaillian

Starring: Robin Williams, Robert DeNiro

"Hello. My name is Leonard Lowe. It has been explained to me that I've been away for quite some time. I'm back." Based on the nonfiction book of the same name, Awakenings tells the true story of a doctor (Williams) and his decision to use a new drug in an attempt to cure a group of seemingly hopelessly catatonic patients. Leonard Lowe (DeNiro) is the initial test subject, and after some initial tampering with the dosage, it works incredibly well...for a while.

My sole criticism: Malcolm Sayer, Williams's character, is American. Oliver Sacks, his real life counterpart, is British. Why do such insignificant changes need to happen? That's like if Black Widow wasn't Russian in Iron Man 2 (oh, wait...). Anyway, besides that, it's a remarkable film. Williams's serious roles are always underappreciated, and this is no exception. DeNiro, much like Hugh Darcy in last year's Adam, stellarly portrays a victim of a disease with accuracy, and never for laughs at its expense. The writing is solid, the characters sympathetic...everything a good film should have. If it had one any of its three Academy Award nominations (Picture, Adapted Screenplay, and Actor--DeNiro), no one would have objected.

The Losers - 2010

Director: Sylvain White

Writers: Peter Berg & James Vanderbilt

Starring: Jeffrey Dean Morgan, Chris Evans, Idris Elba, Columbus Short, Oscar Jaenada, Zoe Saldana

"Hell, let's just say it out loud. You're talking about declaring war on the Central Intelligence Agency." Five members of an elite special ops unit are declared dead after a mission in Bolivia goes awry. Before long, leader Colonel Franklin Clay (Morgan) encounters Aisha (Saldana), a mysterious operative who comes to him with a promise: the ability to return them to the United States, and information which allows them to get back at the man responsible for their exile.

Don't waste your time or money on this one. The "jokes" aren't funny, there's too much Zack Snyder-esque slow motion (think 300 and Watchmen), NO sympathy for the characters is formed, the performances range from uninspired to annoying to ridiculous, the backstory's an obvious A-Team ripoff (though that's to blame on the original graphic novel)...I could go on and on. The sole enjoyable scene comes about halfway through, and it involves Chris Evans's (who I really wish wasn't Captain America) character and a popular Journey song. And like so many movies lately, the "resolution" (virtually nonexistent) opens the film up for a sequel, which I don't ever want to see gracing the silver screen.

Slacker - 1991

Director: Richard Linklater

Writer: Richard Linklater

Starring: a cast of nobodies

"Uh, I don't do much really, I just read, and work here, and, uh, sleep and eat, and, uh, watch movies. " There is no plot to describe whatsoever.

Richard Linklater made a movie in the early 1990s with no plot, no stars, and only 163 cuts (most films have between 500 and 1000) for $23,000. Despite its nondescript quality, this film is AMAZING. Entirely dialogue-driven, it follows various eccentrics in Austin, Texas, each scene consisting of a short conversation about a quirky topic, then moving on to another group. Via Wiki: "The characters include...a miscreant who just steps off a bus, a UFO buff who insists the U.S. has been on the moon since the 1950s, a JFK conspiracy theorist, an elderly anarchist who befriends a man trying to burglarize his house, a serial television set collector and a woman trying to sell a Madonna pap smear." Kevin Smith has repeatedly said that this is the movie that inspired him to make Clerks, and it shows, although Clerks has slightly more plot and a lot more profanity. It's a shame Linklater ended up helming the Bad News Bears remake, but they're called "classics" for a reason. Everyone needs to see this as soon as possible.

We Live in Public - 2009

Director: Ondi Timoner

Starring: Josh Harris

"Lions and tigers used to be kings of the jungle, and one day wound up in zoos. I suspect we're on the same track."

This documentary follows two decades in the life of Josh Harris, the "greatest Internet pioneer you've never heard of," from his establishment of an Internet TV network in the pre-high-quality-streaming-video era of the early 1990s to his eventual debt-ridden departure from the United States. What happens between these two events...all I can say is: this guy pretty much predicted what the Internet was going to become a decade ago. It might be the best nonpolitical documentary I've ever seen.

Con Air - 1997

Director: Simon West

Writer: Scott Rosenberg

Starring: Nicholas Cage, John Cusack, John Malkovich, Ving Rhames, Steve Buscemi, Danny Trejo

"There's only two men in the world that I trust. One of 'em's me, and the other's not you." Former US Army Ranger Cameron Poe (Cage) is wrongly sent to jail for the death of a man resulting from self-defense, missing the first several years of the life of his daughter. Upon being paroled, he ends up on a flight with several of the country's worst murderers and rapists (who are being transferred to a Supermax prison). Led by Cyrus "the Virus" Grissom (Malkovich), the convicts take over the plane in an attempt to escape their sentences, leaving Poe and US Marshal Vince Larkin (Cusack) to keep order.

A lot of people dislike Nicholas Cage as a general rule, and I'm one of them. However, I'd put this (along with the recent Kick-Ass) in the handful of really good movies he's done. Malkovich excels, as he always does when playing a character with an overinflated ego, and Buscemi is nothing short of brilliant as the most likable psychopath I've ever seen. While it's your typical action-packed Jerry Bruckheimer-produced film (Pirates of the Caribbean, Prince of Persia: Sands of Time), it's realistic enough where it's still enjoyable, even the film's fantastical climax that I won't spoil here for the five other people who haven't seen this yet. If you're in the mood for a great action film, and don't mind Nick Cage with a Southern accent, buy this DVD.

The Runaways - 2010

Director: Floria Sigismondi

Writer: Floria Sigismondi

Starring: Dakota Fanning, Kristen Stewart, Michael Shannon

"This isn't women's lib, it's womens libido!" Before Joan Jett and the Blackhearts, there was the Runaways. Led by singer Cherie Curie (Fanning) and Joan Jett (Stewart) [and manipulated by creepy manager Kim Fowley (Shannon)], the first all-girl rock and roll band took the world by storm, until substance abuse issues by Curie led to its inevitable demise.

WOW. First of all, I need to take back what I've said in the past about Stewart and Fanning being subpar actresses, as Runaways proves this is not the case. The scenes introducing their characters have Jett being told "Girls don't play electric guitar" and Curie lip-syncing a Bowie song, complete with trademark lightning bolt on her face. I guess they finally found a proper script to suit their talents. Second, it's a rock biopic on level with any other--full of sex, drugs, and music. While the concert scenes stand out as easily the best cinematically of the film (Sigismondi was exclusively a music video director before now), it's nothing to sneeze at. My only major complaint: Alia Shawkat (Arrested Development, Whip It) stars as a fictionalized version of the group's bassist (due to legal issues) and has no real lines of dialogue outside of the songs. I understand that the film's focus is on Curie and Jett, but to underutilize someone so skilled is a shame. Regardless, see this movie if it's playing near you, if only to get educated about an important chapter of music history as I did.

Defendor - 2010

Director: Peter Stebbings

Writer: Peter Stebbings

Starring: Woody Harrelson, Kat Dennings

"You were just an ordinary guy, doing something remarkable." Arthur Poppington (Harrelson) is a not-entirely-mentally-sound construction worker who, by night, takes on the role of Defendor (think Bruce Wayne, but without the billionaire status, great fighting ability, and around 40 years old) to avenge the death of his mother at the hands of "Captain Industry." On one of his nightly outings, he saves a young prostitute (Dennings) with her own set of demons to face, and she attempts to help him in his quest.

Woody Harrelson hit it big last year (Zombieland, The Messenger, 2012), and this is yet another triumph to add to the list. It has an overall similar concept as Kick-Ass (a regular person fighting crime in costume), but grounds the subject more in reality with a lack of advanced weaponry and training, although he does use a slight Bale-Batman voice while in costume, as well as a certain interrogation technique made famous by Rorschach in Watchmen. If you want a film with wild, over-the-top everything, see Kick-Ass, but if you'd like a bit stronger message and perhaps a deeper emotional reaction, Defendor is the film for you.

Kick-Ass - 2010

Director: Matthew Vaughn

Writers: Jane Goldman & Matthew Vaughn

Starring: Aaron Johnson, Chloe Grace Moretz, Nicholas Cage, Christopher Mintz-Plasse, Mark Strong

"With no power comes no responsibility." Dave (Johnson) is your typical high school comic book geek, nothing remarkable about him at all, who wonders why no one ever tried being a superhero in the real world. Despite warnings from his friends, he goes ahead with it, ordering a brightly-colored wetsuit online for his costume and makes a brave attempt to fight local crime. While initially unsuccessful, his first semi-success inspires two more heroes: Big Daddy (Cage) and Hit Girl (Moretz). Before long, however, local mobster Frank D'Amico (Strong) soon tires of the new heroes interfering in his business, and sends his son Chris (Mintz-Plasse) under the guise of Red Mist to infiltrate and take down the other heroes, with some help from his seemingly-infinite goon squad.

I admit to loving this film unabashedly. The film's performances are fantastic (especially Cage's Adam West-inspired vocal stylings), despite the newcomer status of most of the cast. Just like Sherlock Holmes, Strong makes a great villain, and although Mintz-Plasse hasn't quite shed the McLovin association, a possible sequel for the film might allow him to do so. Far and above all others, though, is Moretz as Hit Girl. She says and does things I never expected to hear and see from a 12-year-old girl, but she does it to an award-winning level. The writing is solid, and the soundtrack (which normally doesn't stand out) is phenomenal. As long as you're not easily offended (violence and foul language abounds), this is a movie you need to see.

Last Action Hero - 1993

Director: Jonathan McTiernan

Writers: Shane Black & David Arnott

Starring: Arnold Schwarzenegger

"Why am I wasting time with a dime-store putz like you when I could be doing something much more dangerous, like re-arranging my sock drawers? " The director of Die Hard teamed up with action star/comedian Schwarzenegger to make a send-up of the typical action movie, full of bad one-liners and plotholes. A film-obsessed kid goes to see the new Jack Slater movie (Schwarzenegger plays himself playing Slater...it's hard to explain), and thanks to a magic ticket from Houdini, gets catapulted into the film itself. Of course, the film's villain gets his hands on the ticket and wreaks havoc in the real world as well.

I think I liked this movie. If its intent is truly to parody the films of the genre, it excels spectacularly. In addition, I'll admit to enjoying a few of the one-liners. However, it hurts me that not only did "serious" films like this exist in the era (and still do, to an extent), but Schwarzenegger himself was in several. Then again, I have from a reliable source that this is Arnold's third best film after Terminator 2 and Commando, so I'd say it's worth your time.